Why does music move us? Lawrence Kramer suggests we should ask this
old question in a different way: what is responsible for our
response to music, and to what is our response responsible? The
essays in this outstanding collection explore this question amongst
many others, and by finding cultural meaning in music they
exemplify the critical turn in musicology. Sixteen essays have been
selected, most of them previously published, from the late 1980s to
the present day. These are prefaced by an excellent introduction
which traces the intellectual development of critical musicology
and discusses the part these essays have had to play in that
movement.
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