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The Wages of Sin - Censorship and the Fallen Woman Film, 1928-1942 (Paperback, Revised Ed.)
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The Wages of Sin - Censorship and the Fallen Woman Film, 1928-1942 (Paperback, Revised Ed.)
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The story of the fallen woman was a staple of film melodrama in the
late 1920s and 1930s. In traditional plots, a woman commits a
sexual transgression, usually adultery. She becomes an outcast,
often a prostitute, suffering humiliations that culminate in her
death. In more modern variants, the heroine is a stereotypical
"kept woman," "gold digger," or wisecracking shopgirl who uses men
to become rich. In "The Wages of Sin," Lea Jacobs uses the fallen
woman film, which served as a focal point for public criticism of
the film industry, to explore Hollywood's system of self-censorship
and the evolution of the rules governing representations of
sexuality.
Drawing on the extensive case files of the Motion Picture Producers
and Distributors of America (MPPDA), the industry trade association
responsible for censorship, Jacobs focuses on six films. Her close
analyses of "The Easiest Way, Baby Face, Blonde Venus, Anna
Karenina, Kitty Foyle," and "Stella Dallas" reveal the ideology of
self-regulation at work and the social constraints affecting the
film industry.
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