Throughout his career, Johnny Cash has been depicted and has
depicted himself as a walking contradiction: social protestor and
establishment patriot, drugged wildman and devout Christian
crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H.
Edwards explores the allure of this paradoxical image and its
cultural significance. She argues that Cash embodies irresolvable
contradictions of American identity that reflect foundational
issues in the American experience, such as the tensions between
freedom and patriotism, individual rights and nationalism, the
sacred and the profane. She illustrates how this model of
ambivalence is a vital paradigm for American popular music, and for
American identity in general. Making use of sources such as Cash's
autobiographies, lyrics, music, liner notes, and interviews,
Edwards pays equal attention to depictions of Cash by others, such
as Vivian Cash's publication of his letters to her, documentaries
and music journalism about him, Walk the Line, and fan club
materials found in the archives at the Country Music Foundation in
Nashville, to create a full portrait of Cash and his significance
as a cultural icon."
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