Experiencing Organised Sounds investigates a wide horizon of
sound-based works using a template consistently across its 16
studies. It has been written for both specialist and non-specialist
readers aiming to address means of increasing appreciation and
understanding related to the experience of sonic creativity (music
involving any sounds, not just musical notes) across this
repertoire as well as to launch a discussion about how the
reception of sonic creativity can be influenced by the
circumstances of listening, in particular, regarding the
qualitative difference between the in-situ as opposed to mediated
experience. Although listening is the volume’s focus,
complementary information from the musicians is offered to
facilitate holistic work overviews. As the first composition
presented was composed by a 15-year-old, the intention is to
demonstrate that what might be considered a niche area of the
contemporary arts is one in which both increased appreciation and
participation could and should easily be achieved. The book’s
work discussions are divided over three central chapters focused on
fixed-medium compositions, performed and sound art works.
Experiencing Organised Sounds can be used as an undergraduate
textbook, by experienced readers or those new to the area. All
works discussed and related materials are available to readers
online.
General
Imprint: |
Taylor & Francis
|
Country of origin: |
United Kingdom |
Release date: |
December 2023 |
First published: |
2024 |
Authors: |
Leigh Landy
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
264 |
ISBN-13: |
978-1-03-253327-8 |
Categories: |
Books
|
LSN: |
1-03-253327-7 |
Barcode: |
9781032533278 |
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