Altogether it is a book that should be required reading for any
student of music, be he composer, performer, or theorist. It clears
the air of many confused notions . . . and lays the groundwork for
exhaustive study of the basic problem of music theory and
aesthetics, the relationship between pattern and meaning.--David
Kraehenbuehl, Journal of Music Theory This is the best study of its
kind to have come to the attention of this reviewer.--Jules
Wolffers, The Christian Science Monitor
It is not too much to say that his approach provides a basis for
the meaningful discussion of emotion and meaning in all art.--David
P. McAllester, American Anthropologist
A book which should be read by all who want deeper insights into
music listening, performing, and composing.--Marcus G. Raskin,
Chicago Review
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