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Vision and Meaning in Ninth-Century Byzantium - Image as Exegesis in the Homilies of Gregory of Nazianzus (Paperback)
Loot Price: R1,389
Discovery Miles 13 890
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Vision and Meaning in Ninth-Century Byzantium - Image as Exegesis in the Homilies of Gregory of Nazianzus (Paperback)
Series: Cambridge Studies in Palaeography and Codicology
Expected to ship within 12 - 17 working days
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The Byzantines used imagery to communicate a wide range of issues.
In the context of Iconoclasm - the debate about the legitimacy of
religious art conducted between c. AD 730 and 843 - Byzantine
authors themselves claimed that visual images could express certain
ideas better than words. Vision and Meaning in Ninth-Century
Byzantium deals with how such visual communication worked and
examines the types of messages that pictures could convey in the
aftermath of Iconoclasm. Its focus is on a deluxe manuscript
commissioned around 880, a copy of the fourth-century sermons of
the Cappadocian church father Gregory of Nazianzus which presented
to the Emperor Basil I, founder of the Macedonian dynasty, by one
of the greatest scholars Byzantium ever produced, the patriarch
Photios. The manuscript was lavishly decorated with gilded
initials, elaborate headpieces and a full-page miniature before
each of Gregory's sermons. Forty-six of these, including over 200
distinct scenes, survive. Fewer than half however were directly
inspired by the homily that they accompany. Instead most function
as commentaries on the ninth-century court and carefully
deconstructed both provide us with information not available from
preserved written sources and perhaps more important show us how
visual images communicate differently from words.
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