If something is important, we write it down. Yet 85% of the world's writing systems are on the verge of vanishing - not granted official status, not taught in schools, discouraged and dismissed.

When a culture is forced to abandon its traditional script, everything it has written for hundreds of years - sacred texts, poems, personal correspondence, legal documents, the collective experience, wisdom and identity of a people - is lost.

This Atlas is about those writing systems, and the people who are trying to save them. From the ancient holy alphabets of the Middle East, now used only by tiny sects, to newly created African alphabets designed to keep cultural traditions alive in the twenty-first century: from a Sudanese script based on the ownership marks traditionally branded into camels, to a secret system used in one corner of China exclusively by women to record the songs and stories of their inner selves: this unique book profiles dozens of scripts and the cultures they encapsulate, offering glimpses of worlds unknown to us - and ways of saving them from vanishing entirely.

The cultures of the world have chosen different ways to make spoken language visible and permanent. The original edition of Writing Systems represented the first time that modern linguistic principles were brought to bear on a study of this. Now this new edition brings the story up to date; it incorporates topics which have emerged since the first edition (such as electronic techniques for encoding the world's scripts), together with new findings about established topics, including the ultimate historical origin of our alphabet. Featuring a series of detailed case studies of scripts of diverse types, and giving due attention to the psychology of reading and learning to read, the book is written so as to be accessible to those with no prior knowledge of any writing systems other than our own.

How is it possible to write down the Japanese language exclusively in Chinese characters? And how are we then able to determine the language behind the veil of the Chinese script as Japanese? The history of writing in Japan presents us with a fascinating variety of writing styles ranging from phonography to morphography and all shades in between. In Japanese Morphography: Deconstructing hentai kanbun, Gordian Schreiber shows that texts traditionally labelled as "hentai kanbun" or "variant Chinese" are, in fact, morphographically written Japanese texts instead and not just the result of an underdeveloped skill in Chinese. The study fosters our understanding of writing system typology beyond phonographic writing.

This work focuses the social context of writing in ancient Western Arabia in the oasis of ancient Dadan, modern-day al-'Ula in the northwest of the Arabian Peninsula between the sixth to first centuries BC. It offers a description and analysis of the language of the inscriptions and the variation attested within them. It is the first work to perform a systematic study of the linguistic variation of the Dadanitic inscriptions. It combines a thorough description of the language of the inscriptions with a statistical analysis of the distribution of variation across different textual genres and manners of inscribing. By considering correlations between language-internal and extralinguistic features this analysis aims to take a more holistic approach to the epigraphic object. Through this approach an image of a rich writing culture emerges, in which we can see innovation as well as the deliberate use of archaic linguistic features in more formal text types.

This is the ideal workbook for anyone who wants to learn to write the Korean Hangul script! It contains a basic introduction to the alphabet and all the sounds of the language, showing you how to write the letters and every possible syllable combination. This introduction is followed by over 100 pages of blank handwriting practice grids and lined paper for notes. This complete writing practice workbook includes: Guided writing exercises for Hangul letters, syllables and words Alternate square-gridded and lined pages for handwriting practice and notes K-Pop and Korean TV drama vocabulary and phrases are included along with popular Korean food names Free online audio recordings help you learn the correct pronunciation of all the letters, syllables and words in the book

In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel's writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel's writing practices in light of those of the ancient world, concluding that Israel's most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom. Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

Essays illuminating a complex and sophisticated musical manuscript. The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. . WOLFGANG FUHRMANN is Professor of Musicology at Leipzig University; CRISTINA URCHUEGUIA is Professor of Musicology at the University of Bern. Contributors: Bonnie J. Blackburn, Wolfgang Fuhrmann, Leofranc Holford-Strevens, Tess Knighton, Kenneth Kreitner, Honey Meconi, Emilio Ros-Fabregas, Cristina Urchueguia, Rob C. Wegman

The Materiality and Efficacy of Balinese Letters examines traditional uses of writing on the Indonesian island of Bali, focusing on the power attributed to Balinese script.The approach is interdisciplinary and comparative, bringing together insights from anthropological and philological perspectives. Scholars have long recognized a gap between the practices of philological interpretation and those of the Javano-Balinese textual tradition. The question is what impact this gap should have on our conception of 'the text'. Of what relevance, for example, are the uses to which Balinese script has been put in the context of ceremonial rites? What ideas of materiality, power and agency are at work in the production and preservation of palm-leaf manuscripts, inscribed amulets and other script-bearing instruments? Contributors include: Andrea Acri, Helen Creese, Richard Fox, H.I.R. Hinzler, Annette Hornbacher, Thomas M. Hunter and Margaret Wiener.

This study analyses the development of the Dutch publishers and booksellers firm Blusse in connection with the history of the Blusse family between 1745 and 1830. The book offers new insight in the organization of the book trade, the theory and practice of copyright, competition and cooperation among publishers, book prices and print runs, including advertising and marketing. The history of the company is linked with that of the family, using letters and other autobiographical writings. Education, marriage policies, reading practices are among the subjects studied. Within the context of cultural developments, the influence of the Enlightenment, and the political upheavals in the period in the Netherlands, this book is both a detailed book history and a broadly based study of cultural change in the late 18th and early 19th centuries.

In late 2011, photographer Douglas Holleley mounted an alphabet of wooden letters on a plywood base and placed it in the backyard of his home in Rochester, NY. His hypothesis was simple; to investigate the behavior of snow as it accumulated on a low-relief, three-dimensional object-in this case, as mentioned before, an alphabet of wooden letters. As the year progressed, Holleley continued to photograph through Spring, Summer and Autumn finishing around Christmas 2012. As such, in addition to the effects of the rain, snow and ice the alphabet is also graced with seeds, flowers, leaves and other traces of the seasons. Thus the book expanded from its original concept. What began as a simple observation of snow falling on a surface transformed into a gentle, and at times poignant, meditation on the nature of time and change.

Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok discusses aspects of the long and impressive manuscript traditions of these islands, which share many aspects of manuscript production. Many hitherto unaddressed features of palm-leaf manuscripts are discussed here for the first time as well as elements of poetic texts, indications of mistakes, colophons and the calendrical information used in these manuscripts. All features discussed are explained with photographs. The introductory chapters offer insights into these traditions in a wider setting and the way researchers have studied them. This original and pioneering work also points out what topics needs further exploration to understand these manuscript traditions that use a variety of materials, languages, and scripts to a wider public.

Through a unique combination of narrative history and primary documents, this book provides an engrossing biography of Sequoyah, the creator of the Cherokee writing system, and clearly documents the importance of written language in the preservation of culture. Sequoyah's creation of an easy-to-learn syllabary for the Cherokee nation enabled far more than the Cherokee Phoenix, the first newspaper of the Cherokee Nation, and the ability for Native Americans to communicate far more effectively than word of mouth can allow. In many ways, the effects of Sequoyah's syllabary demonstrate the critical role of written language in cultural preservation and persistence. Sequoyah and the Invention of the Cherokee Alphabet is a readable study of Sequoyah's life that also discusses Cherokee culture as well as the historical and current usage and impact of the Cherokee syllabary he created. While the emphasis of the work is on Sequoyah's adult life between 1800 and 1840, enough pre- and post-history information is provided to allow any reader to fully grasp the contextual significance of his accomplishments. The book includes a biography section of key individuals and contains a collection of primary documents that helps illustrate the usage of Sequoyah's syllabary. A page from the Cherokee Phoenix showing the use of written Cherokee language in Sequoyah's syllabary A Cherokee syllabary chart A bibliography of sources that describes the focus of each entry and identifies its benefit and intended audience Photographs of road signs in Cherokee, NC written in English and in the Cherokee syllabary

In this pioneering work, based upon interviews with many of the surviving protagonists, Cornelis ('Cees') Andriesse tells the story of the role that Dutch publishing houses played in the rise of English language commercial science publishing after the Second World War, that was preceded by the decline of science publishing in German. Using the existing literature as well as many privately held archival sources, the author follows the fortunes of the leading publishers, Martinus Nijhoff, Elsevier and North Holland while also briefly discussing smaller houses like Dr. W. Junk and Reidel. The book contains lively portraits of the main characters involved and will no doubt stimulate further research and discussion of the role of publishing in the history of science. The authors main thesis that successful publishing requires a strong, fruitful partnership between an academic publisher and an academic editor, will no doubt convince most readers. This is a great book on the most productive friendships and partnerships in the history of science publishing.

Inscriptions are a rather neglected field within Tibetan Studies, because they are often located in places that are not easily accessible for both geographical and political reasons. It is thus especially welcome that two of the contributions to this volume deal with inscriptions documented on recent field trips to Tibet: Benjamin Wood discusses an inscription in Zha lu that relates an enigmatic conflict in the history of the monastery, and Kurt Tropper looks into an epigraphic cycle on the life of the Buddha in Tsaparang. Moreover, Nathan Hill provides a new interpretation of the beginning of the famous Rkong po inscription, and Kunsang Namgyal Lama surveys the various kinds of texts found on tsha tshas. An extra level of reflection is added to the volume by Cristina Scherrer-Schaub's methodological considerations on the classification and interpretation of inscriptions.

Learn to read, write, and speak everyday Japanese with manga stories! If you enjoy manga, you'll love learning Japanese with this book. The language lessons are interspersed with entertaining manga comic strips, making it easy to learn and remember all the key vocabulary and grammar. With a focus on the casual speech used by young people in Japan, you'll find yourself feeling confident with speaking, reading, and writing Japanese quickly! Designed for self-study use by adult learners, this book is a fun resource for beginners--no prior knowledge of Japanese required! Readers will find: Help with learning to write and pronounce the 92 Hiragana and Katakana letters plus 160 basic Kanji characters Hundreds of useful words and phrases--from numbers and greetings to expletives and insults! Seven manga stories woven throughout the book, reinforcing your grasp of the language The basic vocabulary and grammar needed to communicate in Japanese! Hundreds of exercises with free online audio recordings by Japanese native speakers A bidirectional dictionary and answer keys for all the exercises **Recommended for language learners 16 year old & up. Not intended for high school classroom use due to adult content.**

Winner of the 2020 Award for Excellence in the Study of Religion: Historical Studies In her groundbreaking investigation from the perspective of the aesthetics of religion, Isabel Laack explores the religion and art of writing of the pre-Hispanic Aztecs of Mexico. Inspired by postcolonial approaches, she reveals Eurocentric biases in academic representations of Aztec cosmovision, ontology, epistemology, ritual, aesthetics, and the writing system to provide a powerful interpretation of the Nahua sense of reality. Laack transcends the concept of "sacred scripture" traditionally employed in religions studies in order to reconstruct the Indigenous semiotic theory and to reveal how Aztec pictography can express complex aspects of embodied meaning. Her study offers an innovative approach to nonphonographic semiotic systems, as created in many world cultures, and expands our understanding of human recorded visual communication. This book will be essential reading for scholars and readers interested in the history of religions, Mesoamerican studies, and the ancient civilizations of the Americas. "This excellent book, written with intellectual courage and critical self-awareness, is a brilliant, multilayered thought experiment into the images and stories that made up the Nahua sense of reality as woven into their sensational ritual performances and colorful symbolic writing system." - David Carrasco, Harvard University

It is too often forgotten that every Assyrian “historical” inscription functioned in a very specific context. This context influenced its content and the way in which it was perceived by ancient viewers and readers. Russell’s goal is to address the reconstruction of the context of these inscriptions in order to elucidate their original impact. In the past, the palace inscriptions, including Assyrian palace inscriptions, have been published in composite editions with little or no reference to the provenience of the individual exemplars; in addition, the original excavation reports often were more interested in the content of the inscriptions than in their locations. To achieve the objective of placing these inscriptions in their original contexts and thereby provide a base for further study of them, and stimulated by two seasons of renewed excavations at Nineveh during which he studied many inscriptions in situ, Russell returned to the British Museum and Layard’s original, handwritten notes from the 19th century excavations at Nineveh—the goal being to catalogue fully and as completely as possible the individual inscriptions and their locations. The results of Russell’s labors are here published, including the first publication of several shorter inscriptions. The book is lavishly illustrated, both with museum photos and with photos by the author of many of the inscriptions in situ. The book will no doubt be the basis of all further study of the relationship between inscription and context in the palaces of the Assyrian kings.