In earlier times, people felt the need to leave a permanent record of who they were and what they stood for. Nowadays people tend to keep quiet about those things, at least in their final resting place. But many have found a new fascination in wandering about an old graveyard. They are often touched and moved by what they read there. Those people of former generations have much to say to us, although with great economy of words because each letter had to be chiseled in stone with hand tools.

The texts in this book have been selected to illustrate the process by which particular forms of English usage are erected and validated as correct and standard. At the same time, the texts demonstrate how a certain group of people, and certain sets of cultural practices are privileged as correct, standard and central. Covering a period of 300 years, these writers, who include Locke, Swift, Webster, James, Newbolt and Marenbon, consider the questions of language change and decay, correct and incorrect usage and what to prescribe and proscribe. Reread in the light of recent debates about cultural identity - how is it constructed and maintained? what are its effects? - these texts attempt to demonstrate the formative roles of race, class and gender in the construction of "proper Englishness". This book should be of interest to students and teachers of English studies and language and linguistics including discourse theory and the history of language.

'Masterly work ... Leads the reader patiently but directly not merely into Qur'anic writing but into the heart of that Holy Book itself ... By the time we have followed Dr Ahmad to the end of this splendid work we have learned something new and indeed something uplifting about one of the world's great books.' Prof. F. E. Peters, New York University.

The Routledge Handbook of the English Writing System provides a comprehensive account of the English writing system, both in its current iteration and highlighting the developing trends that will influence its future. Twenty-nine chapters written by specialists from around the world cover core linguistic and psychological aspects, and also include areas from other disciplines such as typography and computer-mediated communication. Divided into five parts, the volume encompasses a wide range of approaches and addresses issues in the following areas: theory and the English writing system, discussing the effects of etymology and phonology; the history of the English writing system from its earliest development, including spelling, pronunciation and typography; the acquisition and teaching of writing, with discussions of literacy issues and dyslexia; English writing in use around the world, both in the UK and America, and also across Europe and Japan; computer-mediated communication and developments in writing online and on social media. The Routledge Handbook of the English Writing System is essential reading for researchers and postgraduate students working in this area.

Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In this book, Michelle Warren tells the story of one such manuscript-an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies-from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and the Holy Grail are integral to some of the technologies that now sustain medieval books on the internet. This infrastructural approach to book history illuminates how the meaning of literature is made by many people besides canonical authors: translators, scribes, patrons, readers, collectors, librarians, cataloguers, editors, photographers, software programmers, and many more. Situated at the intersections of the digital humanities, library sciences, literary history, and book history, Holy Digital Grail offers new ways to conceptualize authorship, canon formation, and the definition of a "book."

Decades after Michael Ventris deciphered Linear B and showed that its language was Greek, nearly one-sixth of its syllabic signs' sound-values are still unknown. This book offers a new approach to establishing these undeciphered signs' possible values. Analysis of Linear B's structure and usage not only establishes these signs' most likely sound-values - providing the best possible basis for future decipherments - but also sheds light on the writing system as a whole. The undeciphered signs are also used to explore the evidence provided by palaeography for the chronology of the Linear B documents and the activities of the Mycenaean scribes. The conclusions presented in this book therefore deepen our understanding not only of the undeciphered signs but also of the Linear B writing system as a whole, the texts it was used to write, and the insight these documents bring us into the world of the Mycenaean palaces. A colour version of figures 5.1-5.4 of chapter 5 can be found under the 'Resources' tab.

Introduction to the use of runes as a practical script for a variety of purposes in Anglo-Saxon England. Runes are quite frequently mentioned in modern writings, usually imprecisely as a source of mystic knowledge, power or insight. This book sets the record straight. It shows runes working as a practical script for a variety of purposes in early English times, among both indigenous Anglo-Saxons and incoming Vikings. In a scholarly yet readable way it examines the introduction of the runic alphabet (the futhorc) to England in the fifth and sixth centuries, the forms and values of its letters, and the ways in which it developed, up until its decline at the end of the Anglo-Saxon period. It discusses how runes were used for informal and day-to-day purposes, on formal monuments, as decorative letters in prestigious manuscripts, for owners' or makers' names on everyday objects, perhaps even in private letters. For the first time, the book presents, together with earlier finds, the many runic objects discovered over the last twenty years, with a range of inscriptions on bone, metal and stone, even including tourists' scratched signatures found on the pilgrimage routes through Italy. It gives an idea of the immense range of informationon language and social history contained in these unique documents. The late R.I. PAGE was former Professor of Anglo-Saxon in the University of Cambridge.

In 1978, Congolese inventor David Wabeladio Payi (1958-2013) proposed a new writing system, called Mandombe. Since then, Mandombe has grown and now has thousands of learners in not only the Democratic Republic of Congo, but also France, Angola and many other countries. Drawing upon Ramon Sarro's personal friendship with Wabeladio, this book tells the story of Wabeladio, his alphabet and the creativity that both continue to inspire. A member of the Kimbanguist church, which began as an anticolonial movement in 1921, Wabeladio and his script were deeply influenced by spirituality and Kongo culture. Combining biography, art, and religion, Sarro explores a range of ideas, from the role of pilgrimage and landscape in Wabeladio's life, to the intricacies and logic of Mandombe. Sarro situates the creative individual within a rich context of anthropological, historical and philosophical scholarship, offering a new perspective on the relationships between imagination, innovation and revelation.

This workbook is designed to accompany the Continuing Mandarin Chinese Textbook and offers a wealth of carefully-designed practice activities to help you solidify every aspect of your Chinese skills in listening, speaking, reading, and writing. It includes copious drills, exercises, and other practice materials. Online audio and video files are available for use in the relevant exercises. The lessons in this workbook correspond to the 24 lessons in the Continuing Mandarin Chinese Textbook. The materials in this workbook are meant to be completed by students outside of class, to strengthen and consolidate their understanding of the materials in the textbook. Each lesson of the workbook contains two parts. Each part has two sets of listening comprehension exercises, one translation exercise, one character practice sheet, and one reading and writing exercise. Lessons 13 and 24 of the textbook are review lessons and therefore have no corresponding workbook materials.

Two further editions bring the number of published volumes of the Anglo-Saxon Chronicleseries to Edition with scholarly introduction, evaluating the relationship of the Abingdon Chronicle to other Chronicle manuscripts. This edition of BL MS Cotton Tiberius B i presents for the first time the textual source of several of the most important extant manuscripts in the Chronicle tradition (including MSS B, C, D and E), and showsthe contribution ofAbingdon Abbey to its development. In his full and detailed introduction, Professor Conner explains his choice of manuscript; he also offers a theory, arguing against current thinking, for the relationship between MSS B and C; and suggests that the phenomenon of poetry in the Anglo-Saxon Chronicle originated with Abingdon. Professor PATRICK W. CONNERteaches in the Department of English, West Virginia University.

Evidence for the way in which a great barony organised and executed its affairs; the plates illustrate the evolution of secretarial hands in the twelfth/thirteenth century. Margam Abbey was founded by the lord of Glamorgan, Earl Robert of Gloucester, in 1147. Its scriptorium was concerned not only with the usual business of a monastic house, but also provided staff for the central administration of the Gloucester earldom in the twelfth century and served as the earldom's writing-office for Glamorgan in the early thirteenth. Professor Patterson traces the organization and development of Margam's secretarial administration andanalyses the nature of other similar institutions in this Marcher lordship during Margam's first eighty years. This overall picture is made possible by his identification, dating, and bureaucratic attribution of over fifty scribalhands found in the Margam manuscripts of the National Library of Wales and the charter collections of the British Library and Hereford Cathedral Library. The hands are fully described and illustrated by plates, and they show in detail the evolution of secretarial hands in the twelfth and thirteenth centuries. No similar survey exists, and this one will be welcomed not only by those working with such documents, as also by students of medieval history in avariety of fields. ROBERT B. PATTERSON is Distinguished Professor Emeritus, Department of History, University of South Carolina.

Of outstanding value to both runologist and Anglo-Saxonist alike. EARLY MEDIEVAL EUROPE Discussion of the forms of the runic alphabet and interpretations of individual inscriptions, with consideration of wider matters on which runes throw light - magic, paganism and literacy. How, where and why runes were used is still often mysterious; they continue to set puzzles for those who study them, among whom few are better known than the author of this book. Here he investigates evidence from Anglo-Saxon runic coins to Manx inscribed stones, including many of the known Anglo-Saxon runic inscriptions (notably the Ruthwell cross and the Franks casket) and manuscripts, and looks in passing at some Scandinavian material, both in Great Britain and elsewhere. In addition to these detailed descriptions of inscriptions, and of the runic futhorc, or alphabet, on which they are based, Page also considers wider issues on which runes throw light: magic, paganism and literacy. Archaeologists, historians and others will find this a uniquely useful and authoritative volume on Anglo-Saxon runes. The late R.I. PAGE was a Fellow of Corpus Christi College, Cambridge, and Emeritus Professor ofAnglo-Saxon, Cambridge University.

This book introduces a new linguistic reconstruction of the phonology, morphology, and lexicon of Old Chinese, the first Sino-Tibetan language to be reduced to writing. Old Chinese is the language of the earliest Chinese classical texts (1st millennium BCE) and the ancestor of later varieties of Chinese, including all modern Chinese dialects. William Baxter and Laurent Sagart's new reconstruction of Old Chinese moves beyond earlier reconstructions by taking into account important new evidence that has recently become available: better documentation of Chinese dialects that preserve archaic features, such as the Min and Waxiang dialects; better documentation of languages with very early loanwords from Chinese, such as the Hmong-Mien, Tai-Kadai and Vietnamese languages; and a flood of Chinese manuscripts from the first millennium BCE, excavated or discovered in the last several decades. Baxter and Sagart also incorporate recent advances in our understanding of the derivational processes that connect different words that have the same root. They expand our knowledge of Chinese etymology and identify, for the first time, phonological markers of pre-Han dialects, such as the development of *r to -j in a group of east coast dialects, but to -n elsewhere. The most up-to-date reconstruction available, Old Chinese: A New Reconstruction brings the methodology of Old Chinese reconstruction closer to that of comparative reconstructions that have been used successfully in other language families. It is critical reading for anyone seeking an advanced understanding of Old Chinese.

This new book by Malcolm Parkes makes a fundamental contribution to the history of handwriting. Handwriting is a versatile medium that has always allowed individual scribes the opportunity for self-expression, despite the limitations of the pen and the finite number of possible movements.The purpose of this study is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The book opens with three chapters surveying the various environments in which scribes worked in the medieval West. The following five, based on the author's Lyell Lectures at the University of Oxford, then examine different aspects of the subject, starting with the basic processes of handwriting and copying. Next come discussions of developments in rapid handwriting, with its consequent influence on new alphabets; on more formal 'set hands'; and on the adaptation of movements of the pen to produce elements of style corresponding to changes in the prevailing sense of decorum. The final chapter looks at the significance of some customized images produced by handwriting on the page. The text is illustrated with 69 plates, and accompanied by a glossary of the technical terms applied to handwriting, which in itself makes a significant contribution to the subject.

A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

This book, the first of its kind, examines how the phonology and grammar of the ancient Egyptian language changed over more than three thousand years of its history, from the first appearance of written documents, c.3250 BC, to the Coptic dialects of the second century AD and later. Part One discusses phonology, working backward from the vowels and consonants of Coptic to those that can be deduced for earlier stages of the language. Part Two is devoted to grammar, including both basic components such as nouns and the complex history of the verbal system. The book thus provides both a synchronic description of the five major historical stages of ancient Egyptian and a diachronic analysis of their development and relationship.

The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience.

Here at last is the first systematic study of the teaching and learning of Latin in thirteenth century England based on evidence from nearly 200 manuscripts where the text has been glossed in the vernacular. These glosses provide the key to discovering the linguistic competence and interest of students at an elementary level: men and women who needed a working knowledge of Latin for practical purposes. The received view that Latin was the exclusive language of the schoolroom is shown to be mistaken and the exhaustive recording of the vernacular glosses provides a hitherto untapped source of lexical materials in French and Middle English. Teaching and Learning Latin is destined to become an essential source-book for medievalists interested in language, literacy and culture.

Contemporary Japanese is a textbook series for beginning students of Japanese at the college or high school level. It is intended for classroom use as well as self-study. Each lesson in the books is very short--meant to be covered in just an hour--and has a single, clearly-defined objective. All lessons make use of the "active discovery" approach which encourages rapid learning through "guess and try" problem-solving and participation as opposed to rote memorization. This highly effective method uses real-life conversations that make learning fun by involving you in a conversation with your peers. It also removes the fear of saying something wrong! This book, the second volume in the series, contains 45 short lessons grouped into 12 chapters--each of which presents a wide variety of activities and exercises and yet is designed to be covered in a single session. This "daily multivitamin" approach to language learning makes it easy to track your progress and to review later! Free online audio files can be downloaded, providing native speaker recordings and giving correct pronunciations for the dialogs and vocabulary in each lesson. In this book you'll learn more about: Kanji and their meanings Japanese verb forms Comparison and stating preferences Using common set phrases and making requests Evaluating facts and expressing opinions Sightseeing, food cravings and tastes Insights into Japanese culture Accompanying the textbook is Contemporary Japanese Workbook Volume 2--it serves as a supplementary material as well as a standalone comprehensive workbook for practicing and reviewing the language.

First systematic study of the teaching aid which constituted the set-texts of Latin instruction in 13c England. Based on nearly two hundred manuscripts containing vernacular glosses, this is the first systematic study of the teaching aids which constituted the set-texts of Latin instruction in thirteenth-century England, some of which are printed here for the first time. These glosses provide the key to discovering the linguistic competence and interest of students at an elementary level: men and women who needed a working knowledge of Latin for practical purposes.The received view that Latin was the exclusive language of the schoolroom is shown to be mistaken and the exhaustive recording of the vernacular glosses provides a hitherto untapped source of lexical materials in French and Middle English.

The post-Norman ecclesiastical and political transformation of south-east Wales, recorded in early C12 manuscript. This book explores the ecclesiastical and political transformation of south-east Wales in the later eleventh and early twelfth centuries. Ecclesiastical and administrative reform was one of the defining characteristics of the Norman regime in Britain, and the author argues that a new generation of clergy in South Wales was at the heart of this reforming programme. The focus of this volume is the early twelfth-century Book of Llandaf, one of the most perplexing but exciting historical works from post-Conquest Britain. It has long been viewed as a primary source for the history of early medieval Wales, but here it is presented in a fresh light, as a monument to learning and literature in Norman Wales, produced in the same literary milieu as Geoffrey of Monmouth. As such, the Book of Llandaf provides us with valuable insights into the state of the Norman Church in Wales, and allows us to understand how it thought about its past. JOHN DAVIES is Research Fellow in Scottish History, University of Edinburgh

What has fifteenth-century England to do with the Renaissance? By challenging accepted notions of 'medieval' and 'early modern' David Rundle proposes a new understanding of English engagement with the Renaissance. He does so by focussing on one central element of the humanist agenda - the reform of the script and of the book more generally - to demonstrate a tradition of engagement from the 1430s into the early sixteenth century. Introducing a cast-list of scribes and collectors who are not only English and Italian but also Scottish, Dutch and German, this study sheds light on the cosmopolitanism central to the success of the humanist agenda. Questioning accepted narratives of the slow spread of the Renaissance from Italy to other parts of Europe, Rundle suggests new possibilities for the fields of manuscript studies and the study of Renaissance humanism.

Japanese Made Easy is a complete self-study guide that allows readers to begin using simple, everyday Japanese vocabulary and sentences from the first day! This handy resource features: Practical exercises to teach you the 30 most common Japanese sentence patterns Notes on the key points of Japanese grammar, sentence structure and vocabulary A detailed glossary of Japanese words and an index of vocabulary and grammar Sentences for everyday social situations encountered by visitors to Japan In this completely revised edition, vocabulary and sentences are shown in Japanese script, as well as romanized Japanese and English. This book includes many new dialogues, cultural notes, illustrations and updated vocabulary.

The scholarship and teaching of manuscript studies has been transformed by digitisation, rendering previously rarefied documents accessible for study on a vast scale. The Cambridge Companion to Medieval British Manuscripts orientates students in the complex, multidisciplinary study of medieval book production and contemporary display of manuscripts from c.600–1500. Accessible explanations draw on key case studies to illustrate the major methodologies and explain why skills in understanding early book production are so critical for reading, editing, and accessing a rich cultural heritage. Chapters by leading specialists in manuscript studies range from explaining how manuscripts were stored, to revealing the complex networks of readers and writers which can be understood through manuscripts, to an in depth discussion on the Wycliffite Bible.

The scholarship and teaching of manuscript studies has been transformed by digitisation, rendering previously rarefied documents accessible for study on a vast scale. The Cambridge Companion to Medieval British Manuscripts orientates students in the complex, multidisciplinary study of medieval book production and contemporary display of manuscripts from c.600-1500. Accessible explanations draw on key case studies to illustrate the major methodologies and explain why skills in understanding early book production are so critical for reading, editing, and accessing a rich cultural heritage. Chapters by leading specialists in manuscript studies range from explaining how manuscripts were stored, to revealing the complex networks of readers and writers which can be understood through manuscripts, to an in depth discussion on the Wycliffite Bible.