Learn to read, write, and speak everyday Japanese with manga stories! If you enjoy manga, you'll love learning Japanese with this book. The language lessons are interspersed with entertaining manga comic strips, making it easy to learn and remember all the key vocabulary and grammar. With a focus on the casual speech used by young people in Japan, you'll find yourself feeling confident with speaking, reading, and writing Japanese quickly! Designed for self-study use by adult learners, this book is a fun resource for beginners--no prior knowledge of Japanese required! Readers will find: Help with learning to write and pronounce the 92 Hiragana and Katakana letters plus 160 basic Kanji characters Hundreds of useful words and phrases--from numbers and greetings to expletives and insults! Seven manga stories woven throughout the book, reinforcing your grasp of the language The basic vocabulary and grammar needed to communicate in Japanese! Hundreds of exercises with free online audio recordings by Japanese native speakers A bidirectional dictionary and answer keys for all the exercises **Recommended for language learners 16 year old & up. Not intended for high school classroom use due to adult content.**

This book is an account of the writing systems of the world from earliest times to the present. Its aim is to explore the complex ways in which writing systems relate to the language they depict. Writing, Coulmas contends, is not only the guide or garment of spoken language, but has a deep and lasting effect on the development of language itself.
His study takes in Egyptian hieroglyphics and the cuneiform system of the ancient Near East; he describes Chinese writing, discussing why an apparently cumbersome system has been used continuously for more than 3,000 years; he ranges across the writing systems of western Asia and the Middle East, the Indian families and the various alphabetic traditions which had its origins in the multifarious world of Semitic writing and came to full bloom in pre-Classical Greece.

"Writing: Theory and History of the Technology of Civilization" traces the origins of writing tied to speech from ancient Sumer through the Greek alphabet and beyond.
Examines the earliest evidence for writing in Mesopotamia in the fourth millennium BC, the origins of purely phonographic systems, and the mystery of alphabetic writing
Includes discussions of Ancient Egyptian, Chinese, and Mayan writing
Shows how the structures of writing served and do serve social needs and in turn create patterns of social behavior
Clarifies the argument with many illustrations

This volume, the outcome of a seminar organized at the International Institute for Asian Studies, Leiden, marks an important advancement in the study of South Indian Sanskrit manuscripts which are predominantly on palm leaf and rarely older than three to four centuries. Nevertheless, they continued a manuscript culture for around two millennia and had a profound impact on traditions of knowledge and culture. After an introductory essay (by J.E.M. Houben and S. Rath) addressing theoretical and historical issues of text transmission in manuscripts and in India s remarkably strong oral memory culture, it contains twelve contributions dealing with South Indian manuscript collections in India and Europe (mainly of Vedic and Sanskrit texts) and with problems related to the scripts, the dating of manuscripts and India's literary and intellectual history. Contributors include: G. Colas, A.A. Esposito, M. Fujii, C. Galewicz, J.E.M. Houben, H. Moser, P. Perumal, K. Plofker, S. Rath, S.R. Sarma, D. Wujastyk, K.G. Zysk

An Introduction to Greek and Latin Palaeography traces the development of handwriting in the Greek and Latin alphabets from the earliest papyri up to the book hands of the middle ages and the court hands of the seventeenth century. It is, without doubt, the best introductory text on the subject ever to appear in English. This edition has been completely reset, and the illustrations have been digitally enhanced. Sir Edward Maunde Thompson (1840-1929) entered University College, Oxford, in 1859 but had to leave before completing his degree. He entered the library of the British Museum (now British Library) in 1861 and became Keeper of Manuscripts in 1878. He was appointed Principal Librarian in 1888.

The chapters in this edited volume explore the sociolinguistic implications of orthographic and scriptural practices in a diverse range of communicative contexts, ranging from schoolrooms to internet discussion boards. The focus is on the way that scriptural practices both index and constitute social hierarchies, identities and relationships and in some cases, become the focus for public language ideological debates. Capitalizing on the now robust body of literature on orthographic choice and debate in sociolinguistics and anthropological linguistics, the volume addresses a number of cross-cutting themes that connect orthographic practices to areas of contemporary interest in sociolinguistics and linguistic anthropology. These themes include: the different social implications of self vs. other representation and the permeability of the personal/social and the public/private; how scriptural practices ("inscription") serve as sites for social discipline; the historical and intertextual frameworks for the meaning potentials of orthographic choice (relating to issues of genre and style); and writing as a broader semiotic field: the visual and esthetic dimensions of texts and metalinguistic "play" in spelling and its ambiguous implications for writer stance.

Owen investigates what the manuscripts of the Canterbury Tales reveal about the way they came into being. [see revs] This study of the manuscripts of the Canterbury Talescalls into question previous efforts to explain the complexities, the different orderings of the tales and the extraordinary shifts in textual affiliations within the manuscripts. Owen sees the manuscripts that survive, most of them collections of all or almost all the tales, as derived from the large number of single tales and small collections that circulated after Chaucer's death. This theory takes issue with all modern editions of the Canterbury Tales, which in Owen's view reflect the effort of medieval scribes and supervisors to make a satisfactory book of the collection of fragments Chaucer left behind. It is this collection of fragments, the authentic Tales of Canterbury by Geoffrey Chaucer, which reflects the different stages of the plan that was still evolving at his death. CHARLES A. OWEN Jr is former Professor of English and Chairman of Medieval Studies at the University of Conneticut.

No overall survey of the Muslim inscriptions in India has ever been attempted on this scale before. The book reveals the significance of epigraphy as a source for Islamic history and culture, and goes on to trace in fascinating detail the diffusion of Islam in Bengal from early merchants, to the mighty Mughals through to the British Raj; covering royalty to Sufis and Khanquahs.

This unique and authoritative guide describes more than 400 important Chinese symbols, explaining their esoteric meanings and connections. Their use and development in Chinese literature and in Chinese customs and attitudes to life are traced lucidly and precisely.
`An ideal reference book to help one learn and explore further, while simultaneously giving greater insight into many other aspects of Chinese life ... the most authoritative guide to Chinese symbolism available to the general reader today ... a well-researched, informative and entertaining guide to the treasure trove of Chinese symbols.' - South China Morning Post

eBook available with sample pages: 0203038770

This volume presents 12 papers on a new approach to the analysis of writing systems. For the first time, quantitative methods are introduced into this area of research in a systematic way. The individual contributions give an overview about quantitative properties of symbols and of writing systems, introduce methods of analysis, study individual writing systems as used for different languages, set up an explanatory model of phenomena connected to script development/evolution, and give a perspective to a general theory of writing systems.

A Grammar of Eton is the first description of the Cameroonian Bantu language Eton. It is also one of the few complete descriptions of a North-western Bantu language. The complex tonology of Eton is carefully analysed and presented in a simple and consistent descriptive framework, which permits the reader to keep track of Eton's many tonal morphemes. Phonologists will be especially interested in the analysis of stem initial prominence, which manifests itself in a number of logically independent phenomena, including length of the onset consonant, phonotactic skewing and number of tonal attachment sites. Typologists and Africanists working on morphosyntax will find useful analyses of, among others, gender and agreement; tense, aspect, mood and negation; and verbal derivation. They will encounter many morphosyntactic differences between Eton and the better known Eastern and Southern Bantu languages, often due to evolutions shaped by maximality constraints on stems. The chapters on clause structure and complex constructions provide data hardly found in sources on the languages of the region, including descriptions of non-verbal clauses, focus, quasi-auxiliaries and adverbial clauses.

Written by one of the world's leading paleographers, this book poses two fundamental questions: When did human beings begin--and why have they continued--to decide that a certain number of their dead had a right to a "written death"? What differences have existed in the practice of writing death from age to age and culture to culture? Drawing principally on testimonials intended for public display, such as monuments, tombstones, and grave markings, as well as on scrolls, books, manuscripts, newspapers, and posters, the author reconstructs the ways Western cultures have used writing to commemorate the dead, from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C.
The author argues that the relation between funereal remains and inscription is a profoundly political one. The recurring question--Who merits a written death?--demands a multifaceted reply, one that intersects such "modes" of human cultural history as the relation between the living and the dead, the control of territory, the formation and maintenance of power, the preservation of wealth, the right to individuality, and the symbolic and signifying value of written culture.
Apart from examining funerary writing in the light of this analytical model, the author also studies the quality of commemorative writing, the length and physical arrangement of the text, and its link to any representational elements, such as a likeness of the deceased, the techniques involved in executing the testimonial, the number of people who participate in creating it, and its outward appearance. Under the author's careful and informed scrutiny, such developments as unidirectional script, the separation of writing into horizontal lines, and the even spacing of individual letters are revealed as indices of social and technological change.

This book is the first comprehensive introduction to the Tangut language and culture. Five of the fi een chapters survey the history of Western Xia and the evolution of Tangut Studies, including new advancements in the field, such as research on the recently decoded Tangut cursive writings found in Khara-Khoto documents. The other ten chapters provide an introduction to the Tangut language: its origins, script, characters, grammars, translations, textual and contextual readings. In this synthesis of historical narratives and linguistic analysis, the renowned Tangutologist Shi Jinbo offers a guided access to the mysterious civilisation of the 'Great State White and High' to both a specialized and a general audience.

A fresh appraisal of late medieval manuscript culture in England, examining the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared. During the "long fifteenth century" (here, 1375-1530), the demand for books in England flourished. The fast-developing book trade produced them in great quantity. Fragments of manuscripts were often repurposed, as flyleaves and other components such as palimpsests; and alongside the creation of new books, medieval manuscripts were also repaired, recycled and re-used. This monograph examines the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared. Drawing on the codicological evidence gathered from an extensive survey of extant manuscript collections, in conjunction with historical accounts, recipes and literary texts, it presents detailed case studies exploring parchment production and recycling, the re-use of margins, and second-hand exchanges of books. Its engagement with the evidence in - and inscribed on - surviving books enables a fresh appraisal of late medieval manuscript culture in England, looking at how people went about re-using books, and arguing that over the course of this period, books were made, used and re-used in a myriad of sustainable ways.

An investigation into the hugely significant works produced by the Worcester foundation at a period of turmoil and change. From the mid-eleventh to the mid-twelfth century Worcester was a monastic community of unparalleled importance. Not only was it home to many of the most famous bishops and monks of the period, including Bishop Wulfstan II: it was also a centre of notable and ambitious scholarly production. Under Wulfstan's guidance, a number of Worcester brethren undertook historical research that resulted in the writing of such renowned texts as Hemming's Cartulary and the Worcester Chronica Chronicarum. Significantly, these historical endeavours spanned the political chasm of the Norman Conquest. The essays collected here aim to shed new light on different aspects of the Worcester "historical workshop", whose literary ouput was, in several respects, pioneering in contemporary European scholarship. Several chapters address the different ways in which the monks organised and updated their archives of documents, both via their sequence of cartularies, with a special focus on the narrative parts of Hemming's Cartulary, and via an interesting (and previously unedited) prose account of the foundation of the see. Others focus on the famous Worcester Chronica Chronicarum, attributed both to Florence and to John, investigating the major model for its composition and structure (the work of Marianus Scotus), the stages in which it was completed, and its connections with Welsh chronicles, as well as the related and fascinating abbreviated version, written mostly in the hand of John himself, and known as the Chronicula. The volume thus elucidates how the Worcester monks navigated the period across the Conquest through the composition of different genres of texts, and how these texts shaped their own institutional memory.

The older runic inscriptions (ca. AD 150 - 450) represent the earliest attestation of any Germanic language. The close relationship of these inscriptions to the archaic Mediterranean writing traditions is demonstrated through the linguistic and orthographic analysis presented here. The extraordinary importance of these inscriptions for a proper understanding of the prehistory and early history of the present-day Germanic languages, including English, becomes abundantly clear once the accu-mulation of unfounded claims of older mythological and cultic studies is cleared away.

Basic Tagalog is a friendly and accessible resource, providing beginning language learners with support, structure and thorough explanations. This is the most complete language course available for Tagalog--in one easy volume! This new edition has free online native-speaker audio recordings and dialogues in the contemporary Manila dialect spoken throughout the Philippines today. All materials have been thoroughly updated with current vocabulary, phrases and real-life expressions used by younger Filipinos. This textbook includes: Over 2,500 Tagalog words and phrases Online audio recorded by native speakers to help with pronunciation Bidirectional dictionary Updated cultural notes and sentence patterns Dialogues with manga illustrations Practical exercises at the end of each lesson Downloadable flashcards Clear and concise grammar explanations This comprehensive language learning course is ideal for both self-study and classroom learners who wish to learn Tagalog the way it is actually spoken.

Contemporary Japanese is a textbook series for beginning students of Japanese at the college or high school level. It is intended for classroom use as well as self-study. Each lesson in the books is very short--meant to be covered in just an hour--and has a single, clearly-defined objective. All lessons make use of the "active discovery" approach which encourages rapid learning through "guess and try" problem-solving and participation as opposed to rote memorization. This highly effective method uses real-life conversations that make learning fun by involving you in a conversation with your peers. It also removes the fear of saying something wrong! This book, the second volume in the series, contains 45 short lessons grouped into 12 chapters--each of which presents a wide variety of activities and exercises and yet is designed to be covered in a single session. This "daily multivitamin" approach to language learning makes it easy to track your progress and to review later! Free online audio files can be downloaded, providing native speaker recordings and giving correct pronunciations for the dialogs and vocabulary in each lesson. In this book you'll learn more about: Kanji and their meanings Japanese verb forms Comparison and stating preferences Using common set phrases and making requests Evaluating facts and expressing opinions Sightseeing, food cravings and tastes Insights into Japanese culture Accompanying the textbook is Contemporary Japanese Workbook Volume 2--it serves as a supplementary material as well as a standalone comprehensive workbook for practicing and reviewing the language.

The Routledge Handbook of Scripts and Alphabets is a unique reference to the main scripts and alphabets of the world. The Handbook presents over 60 alphabets covering an enormous scope of languages; from Amharic and Chinese to Thai and Cree. Full script tables are given for every language and each entry is accompanied by a detailed overview of its historical and linguistic context. New to this second edition: enhanced introduction discussing the basic principles and strategies utilized by world writing systems expanded to include more writing systems improved presentation of non-Roman scripts. organised into ancient, contemporary and autochthonous writing systems many new entries on fascinating and lesser-known writing systems This handy resource is the ideal reference for all students and scholars of language and linguistics. It has been brought to our attention that in some of the copies of the book there is an alignment error in the tables for Cyrillic Scripts (pages 88-90) and Roman Scripts (pages 140-44). Please contact us at [email protected] to receive replacement copies of the corrected tables, free of charge. Please accept our apologies for any inconvenience caused.

The Codex Buranus, compiled, in all likelihood, in South Tyrol in the first half of the thirteenth century, has fascinated modern scholars and performers ever since its rediscovery in 1803. Its diverse range of texts (some famously featuring in Carl Orff's Carmina Burana) and music gives testimony to the intensely vibrant, plurilingual, and multicultural milieu in which the Codex Buranus was compiled, but poses a challenge to modern users. Perhaps more so than many other medieval manuscripts, it is an artefact which demands, and benefits from, an interdisciplinary approach. The chapters here, from scholars in a variety of fields, enable the less well-known aspects of the Codex Buranus; textual, musical, and artistic; to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition. They also examine questions of its reception history and audience.

The Routledge Handbook of Scripts and Alphabets is a unique reference to the main scripts and alphabets of the world.

The Handbook presents over 60 alphabets covering an enormous scope of languages; from Amharic and Chinese to Thai and Cree. Full script tables are given for every language and each entry is accompanied by a detailed overview of its historical and linguistic context.

New to this second edition:

This handy resource is the ideal reference for all students and scholars of language and linguistics.

It has been brought to our attention that in some of the copies of the book there is an alignment error in the tables for Cyrillic Scripts (pages 88-90) and Roman Scripts (pages 140-44). Please contact us at [email protected] to receive replacement copies of the corrected tables, free of charge.

Please accept our apologies for any inconvenience caused.

Writing Systems and Phonetics provides students with a critical understanding of the writing systems of the world. Beginning by exploring the spelling of English, including how it arose and how it works today, the book goes on to address over 60 major languages from around the globe and includes detailed descriptions and worked examples of writing systems which foreground the phonetics of these languages. Key areas covered include: the use of the Latin alphabet in and beyond Europe; writing systems of the eastern Mediterranean, Greek and its Cyrillic offshoot, Arabic and Hebrew; languages in south and south-east Asia, including Hindi, Tamil, Burmese and Thai, as well as in east Asia, including Chinese, Japanese and Korean; reflections on ancient languages such as Sumerian, Egyptian, Linear B and Mayan; a final chapter which sets out a typology of writing systems. All of the languages covered are contextualised by authentic illustrations, including road signs, personal names and tables, to demonstrate how theoretical research can be applied to the real world. Taking a unique geographical focus that guides the reader on a journey across time and continents, this book offers an engaging introduction for students approaching for the first time the phonetics of writing systems, their typology and the origins of scripts.

In a world of rapid technological advancements, it can be easy to forget that writing is the "original" Information Technology, created to transcend the limitations of human memory and to defy time and space. "The Writing Revolution" picks apart the development of this communication tool to show how it has conquered the world.Explores how writing has liberated the world, making possible everything from complex bureaucracy, literature, and science, to instruction manuals and love lettersDraws on an engaging range of examples, from the first cuneiform clay tablet, Egyptian hieroglyphs, and Japanese syllabaries, to the printing press and the text messagingWeaves together ideas from a number of fields, including history, cultural studies and archaeology, as well as linguistics and literature, to create an interdisciplinary volumeTraces the origins of each of the world's major written traditions, along with their applications, adaptations, and cultural influences

This book deals with two different pragmatic approaches to textual communication: (i) the mainstream approach followed by the 'Ash'ari s, Hanafi s and Mu'tazili s, (ii) the salafite approach followed mainly by the Hanbali s, defended and elaborated by Ibn Taymiyyah. One of the primary aims of the book is to explore and formulate several Muslim legal theorists' pragmatic theories, communicative principles and linguistic views, construct them in the form of models and set them within a general uniform framework. Another aim is to reveal a corpus of information and data which, though highly relevant to modern pragmatics, is still unknown. This study, which can be seen as an extensive introduction to 'medieval Islamic pragmatics', is the first attempt to examine the approaches followed by the Salafi s or the mainstream from a pragmatic viewpoint. There has been no attempt to explain the principles and the strategies utilised by the medieval Sunni Muslim legal theorists in their account of how communication works and how successful interpretation is achieved. Of course, a lot of work has been done on different Islamic sects and their different positions over the interpretation of the Quran and Sunnah, but these studies fall short of delving into the underlying communicative principles that motivate their differences over interpretation. The author's formulation of the Muslim legal theorists' views is enhanced by setting up a reliable theoretical foundation and by delving into their underlying philosophical principles. This involves relating the legal theorists' insights into interpretation and communication to their relevant ontological, epistemological and theological outlooks, and comparing these insights with their modern pragmatic counterparts.

Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. SUSANNA FEIN is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Miceal F. Vaughan.