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Women Writing Music in Late Eighteenth-Century England - Social Harmony in Literature and Performance (Paperback)
Loot Price: R1,604
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Women Writing Music in Late Eighteenth-Century England - Social Harmony in Literature and Performance (Paperback)
Series: Performance in the Long Eighteenth Century: Studies in Theatre, Music, Dance
Expected to ship within 12 - 17 working days
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Combining new musicology trends, formal musical analysis, and
literary feminist recovery work, Leslie Ritchie examines rare
poetic, didactic, fictional, and musical texts written by women in
late eighteenth-century Britain. She finds instances of and
resistance to contemporary perceptions of music as a form of social
control in works by Maria Barthelemon, Harriett Abrams, Mary
Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among
others. Relating women's musical compositions and writings about
music to theories of music's function in the formation of female
subjectivities during the latter half of the eighteenth century,
Ritchie draws on the work of cultural theorists and cultural
historians, as well as feminist scholars who have explored the
connection between femininity and performance. Whether crafting
works consonant with societal ideals of charitable, natural, and
national order, or re-imagining their participation in these
musical aids to social harmony, women contributed significantly to
the formation of British cultural identity. Ritchie's
interdisciplinary book will interest scholars working in a range of
fields, including gender studies, musicology, eighteenth-century
British literature, and cultural studies.
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