Literary Nonfiction.. Poetics. Poetry. THE PUBLIC
WORLD/SYNTACTICALLY IMPERMANENCE is a brilliant consideration of
the strategies of poetry, and the similarities between early Zen
thought and some American avant-garde writings that counter the
"language of determinateness," or conventions of perception. The
theme of the essays is poetic language which critiques itself,
recognizing its own conceptual formations of private and social,
the form or syntax of the language being "syntactically
impermanence." Whether writing reflexively on her own poetry or
looking closely at the writing of her peers, Leslie Scalapino makes
us aware of the split between commentary (discourse and
interpretation) and interior experience. The "poetry" in the
collection is both commentary and interior experience at once. She
argues that poetry is perhaps most deeply political when it is an
expression that is not recognized or readily comprehensible as
discourse.
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