This study constructs a framework of narratology for art history
and rewrites the development of twentieth-century Chinese art from
a narratological perspective. Theoretically and methodologically
oriented, this is a self-reflective meta-art history studying the
art historical narratives while narrating the story of modern and
contemporary Chinese art. Thus, this book explores the three layers
of narrative within the narratological framework: the first-hand
fabula, the secondary narration, and the tertiary narrativization.
With this tertiary narrativization, the reader-author presents
three types of narrative: the grand narrative of the central thesis
of this book, the middle-range narrative of the chapter theses, and
case analyses supporting these theses. The focus of this tertiary
narrativization is the interaction between Western influence on
Chinese art and the Chinese response to this influence. The central
thesis is that this interaction conditioned and shaped the
development of Chinese art at every historical turning point in the
twentieth century. The book will be of interest to scholars working
in art history, critical theory, Chinese studies, and cultural
studies.
General
Imprint: |
Taylor & Francis
|
Country of origin: |
United Kingdom |
Series: |
Routledge Research in Art History |
Release date: |
July 2023 |
First published: |
2024 |
Authors: |
Lian Duan
|
Dimensions: |
246 x 174mm (L x W) |
Pages: |
220 |
ISBN-13: |
978-1-03-246152-6 |
Categories: |
Books
|
LSN: |
1-03-246152-7 |
Barcode: |
9781032461526 |
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