Lilian Armstrong is Professor of Art at Wellesley College,
Massachusetts, and a specialist on Venetian Renaissance book
illumination. She is the author of The Paintings and Drawings of
Marco Zoppo and Renaissance Miniature Painters and Classical
Imagery: The Master of the Putti and His Venetian Workshop, and she
was a major contributor to the exhibition catalogue The Painted
Page: Italian Renaissance Book Illumination 1450-1550 (ed. by
Jonathan Alexander). Her publications have focussed particularly on
the transition from illuminated manuscripts to the hand-illuminated
early printed book in Venice. The present volume collects Professor
Armstrong's papers on miniaturists active in Venice and Northern
Italy in the 15th and early 16th centuries, and on the impact of
the new invention of printing on these artists and their patrons.
Included are papers on Marco Zoppo, primarily a monumentalpainter,
who nevertheless also painted in manuscripts and incunables. The
studies variously identify miniaturists and designers of woodcuts
through stylistic groupings, trace iconographic traditions for
Pliny's Natural History and Petrarch's De viris illustribus,
demonstrate the importance of heraldry for studying patronage of
Venetian printed books, and explore the distribution of Venetian
incunables throughout Europe based on analysis of their decoration.
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