This innovative volume challenges the ways we look at both
cinema and cultural history by shifting the focus from the
centrality of the visual and the literary toward the recognition of
acoustic culture as formative of the Soviet and post-Soviet
experience. Leading experts and emerging scholars from film
studies, musicology, music theory, history, and cultural studies
examine the importance of sound in Russian, Soviet, and post-Soviet
cinema from a wide range of interdisciplinary perspectives.
Addressing the little-known theoretical and artistic
experimentation with sound in Soviet cinema, changing practices of
voice delivery and translation, and issues of aesthetic ideology
and music theory, this book explores the cultural and historical
factors that influenced the use of voice, music, and sound on
Soviet and post-Soviet screens.
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