This book examines the connections between two disparate yet
persistently bound thematics -- mobility and intoxication -- and
explores their central yet frequently misunderstood role in
constructing subjectivity following the 1960s. Emerging from
profound mid-twentieth-century changes in how drugs and travel were
imagined, the conceptual nexus discussed sheds new light on British
and North American responses to sixties counterculture. With
readings of Aldous Huxley, William Burroughs, Alex Garland, Hunter
S. Thompson, and Robert Sedlack, Banco traces twin arguments,
looking at the ways travel is imagined as a disciplinary force
acting upon the creative, destabilizing powers of psychedelic
intoxication; and exploring the ways drugs help construct travel
spaces and practices as, at times, revolutionary, and at other
times, neo-colonial. By following a sequence of shifting
understandings of drug and travel orthodoxies, this book traverses
fraught and irresistibly linked terrains from the late 1950s up to
a period marked by international, postmodern tourism. As such, it
helps illuminate a world where tourism is continually expanding yet
constantly circumscribed, and where illegal drugs are both
increasingly unregulated in the global economy and perceived more
and more as crucial agents in the construction of human
subjectivity.
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