Given a long history of representation by others, what themes
and techniques do Arab Muslim women writers, filmmakers and visual
artists foreground in their presentation of postcolonial
experience?
Lindsey Moore s groundbreaking book demonstrates ways in which
women appropriate textual and visual modes of representation, often
in cross-fertilizing ways, in challenges to
Orientalist/colonialist, nationalist, Islamist, and multicultural
paradigms. She provides an accessible but theoretically-informed
analysis by foregrounding tropes of vision, visibility and voice;
post-nationalist melancholia and mother/daughter narratives;
transformations of homes and harems; and border crossings in time,
space, language, and media. In doing so, Moore moves beyond notions
of speaking or looking back to encompass a diverse feminist poetics
and politics and to emphasize ethical forms of representation and
reception.
Aran, Muslim, Woman is distinctive in the eclectic body of work
that it brings together. Discussing Algeria, Egypt, Jordan,
Lebanon, Morocco, the Palestinian territories, and Tunisia, as well
as postcolonial Europe, Moore argues for better integration of Arab
Muslim contexts in the postcolonial canon. In a book for readers
interested in women's studies, history, literature, and visual
media, we encounter work by Assia Djebar, Mona Hatoum, Fatima
Mernissi, Ahlam Mosteghanemi, Nawal el Saadawi, Leila Sebbar, Zineb
Sedira, Ahdaf Soueif, Moufida Tlatli, Fadwa Tuqan, and many other
women.
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