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Men and Masks - A Study of Moliere (Paperback)
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Men and Masks - A Study of Moliere (Paperback)
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Originally published in 1963. Moliere's plays rank among the great
comic achievements in the history of the stage. Yet few attempts
have been made to understand them as expressing the historical
context of the author's time. Most frequently they have been
interpreted from the point of view of purely literary history,
while the characters have been seen as universal comic types.
Lionel Gossman reappraises Moliere's comedy in the light of
historical experience and interprets it in terms of the conditions
from which it emerged. He brings it into the mainstream of
seventeenth-century French literature and shows that Moliere was
concerned with the same things that concerned Descartes, Corneille,
Racine, or Pascal. Five comedies (Amphitryon, Dom Juan, Le
Misanthrope, Le Tartuffe, and George Dandin) are studied in the
first part of the book. A number of basic structures are found to
be common to all of them, and these give the author his point of
departure for the second part of the book. In the second part,
Gossman examines Moliere's position with respect to other major
seventeenth-century French writers. The comic vision of Moliere,
Gossman argues, no less than the tragic vision of Pascal or of
Racine, expresses a particular relation to the social structure of
the time. The subject matter of Moliere's comedy is thus, in the
author's view, not universal human nature but the men and women of
the society in which Moliere lived. Indeed, Gossman goes on to
argue that the development of society after Moliere made it
difficult, and in the end impossible, for later writers to see the
world in the comic light that illuminated Moliere's writing. Even
in certain of Moliere's own works, in fact, the comic vision shades
into something close to Romantic irony.
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