For Rene Magritte, painting was a form of thinking. Through
paintings of ordinary objects rendered with illusionism, Magritte
probed the limits of our perception-what we see and cannot see, the
nature of representation-as a philosophical system for presenting
ideas, and explored perspective as a method of visual
argumentation. This book makes the claim that Magritte's painting
is about vision and the act of viewing, of perception itself, and
the process of how we see and experience things in the world,
including paintings as things.
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