The voice traverses Beckett's work in its entirety, defining its
space and its structure. Emanating from an indeterminate source
situated outside the narrators and characters, while permeating the
very words they utter, it proves to be incessant. It can
alternatively be violently intrusive, or embody a calming presence.
Literary creation will be charged with transforming the
mortification it inflicts into a vivifying relationship to
language. In the exploration undertaken here, Lacanian
psychoanalysis offers the means to approach the voice's multiple
and fundamentally paradoxical facets with regards to language that
founds the subject's vital relation to existence. Far from seeking
to impose a rigid and purely abstract framework, this study aims to
highlight the singularity and complexity of Beckett's work, and to
outline a potentially vast field of investigation.
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