This well-argued, analytic text provides a greater understanding
of spatial issues in the field of architecture. Re-interpreting the
fifteenth century demonstration of perspective, Lorens Holm puts it
in relation to todaya (TM)s theories of subjectivity and elaborates
for the first time the theoretical link between architecture and
psychoanalysis.
Divided into three sections, Brunelleschi, Lacan, Le Corbusier
argues that perspective remains the primary and most satisfying way
of representing form, because it is the paradigmatic form of
spatial consciousness. Well-illustrated with over 100 images, this
compelling book is a valuable study of this key aspect of
architectural study and practice, making it an essential read for
architects in their first year or their fiftieth.
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