Lorna Robertson’s colourful paintings, often made with a
combination of oil paint and collage, have a distinctly nostalgic
tone. Shimmering female forms with swinging skirts from the 1950s
or bonneted bathers from the 1920s jostle with richly described
interiors and crowded tabletops. Hints and glimpses of tangible
forms – a fashion model, for example, or a vase – appear and
then fragment into patterns and explosions of colour. This new
publication coincides with Robertson’s exhibition at Ingleby
Gallery and is divided into sections that feature collections of
recent large paintings by the artist (2015–2022), small paintings
(all 2022) and works on paper (2016–2022), all of which
demonstrate Robertson’s characteristic layered interpretations of
the female form alongside recurring motifs such as hats, long
dresses and flowers. Her drawings (2018–2020) offer fluid forms
in ink, pencil and watercolour. An essay by art critic Hettie Judah
explores Robertson’s work in terms of pattern, costume and
architecture, drawing out key inspirations including tapestry,
advertising and magazine design through abstracted forms. The
influence of contemporary female painters and those from art
history is further considered. In another text, Robertson is in
conversation with artist and writer Mikey Cuddihy. This frank
interview reveals much about Robertson’s intuitive working
processes: from starting points, colour decisions, the rhythms of
brushwork and considerations of scale, to the wider relationship
between text, music, drawing and painting. The publication is
edited by Ingleby Gallery, designed by Joanna Deans, Identity,
printed by Albe De Coker, and co-published by Ingleby Edinburgh,
and Anomie, London. The publication coincides with Robertson’s
first solo exhibition 'thoughts, meals, days' at Ingleby Gallery,
Edinburgh, in 2022. The artist is represented by Ingleby Gallery.
Lorna Robertson was born in Ayr on the west coast of Scotland in
1967. She studied at Duncan of Jordanstone College of Art in Dundee
and currently lives and works in Glasgow. Recent public solo
exhibitions include 'Kodachroma', Glasgow Project Room (2013);
'This Dark Ceiling', Intermedia Gallery, C.C.A, Glasgow (2008);
'The Overlooked', Atelier Am Eck, Dusseldorf, Germany (2006); and
'New Paintings', 64 Osborne Street, Glasgow (2005). Robertson’s
group exhibitions include 'Once Upon a Time', Flora Fairbairn, The
Portman Estate, London (2022); 'Faces in the Water', Ingleby at
Cromwell Place, South Kensington, London (2021); 'Brexit: Mail Art
from a Small Island', Sipgate Shows, Düsseldorf, Germany (2019);
'Lorna Robertson and Robert MacBryde', Kingsgate Project Space,
London (2019); 'Psychopathology of Everyday life', Glasgow Project
Room (2011); and 'Vistas', Glasgow Project Room (2003). The artist
was awarded the John Kinross Traveling Scholarship to Florence in
1990 and the Summer Scholarship, Hospitalfield School of Art,
Arbroath, Scotland in 1989.
General
Imprint: |
Anomie Publishing
|
Country of origin: |
United Kingdom |
Release date: |
September 2022 |
Authors: |
Lorna Robertson
• Hettie Judah
• Mikey Cuddihy
|
Dimensions: |
260 x 210 x 21mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
152 |
ISBN-13: |
978-1-910221-42-6 |
Categories: |
Books
Promotions
|
LSN: |
1-910221-42-2 |
Barcode: |
9781910221426 |
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