Drawing together contributions by scholars from a variety of
fields, including theater, film and television, sociology, and
visual culture, this volume explores the range and diversity of
comedic performance and comic forms in the modern age. It covers a
range of forms and examples from 1920 to the present day, including
plays, film, television comedy, live comedy, and comedy on social
media. It argues that the period covered was marked by an explosion
of comic forms and a flowering of comic creativity across a range
of media. From the communal watching of silent films at the start
of the period, to the use of Twitter and other online platforms to
share and comment on comedy, technology has brought about
significant changes in its form, consumption, and social effects.
As comic forms have shifted and developed, so too have attitudes to
what comedy can and cannot do. This study considers its role in
entertainment and in provoking consideration of a range of social
and political topics. Each chapter takes a different theme as its
focus: form, theory, praxis, identities, the body, politics and
power, laughter, and ethics. These eight different approaches to
comedy add up to an extensive, synoptic coverage of the subject.
General
Imprint: |
Bloomsbury Academic
|
Country of origin: |
United Kingdom |
Series: |
The Cultural Histories Series |
Release date: |
March 2024 |
Editors: |
Louise Peacock
|
Series editors: |
Andrew McConnell Stott
• Eric Weitz
|
Dimensions: |
244 x 169mm (L x W) |
Pages: |
240 |
ISBN-13: |
978-1-350-44083-8 |
Categories: |
Books
|
LSN: |
1-350-44083-3 |
Barcode: |
9781350440838 |
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