In the vast diversity of Western civilization, poetry has
traditions both national and international that span three
millennia. To write a coherent critical history of even just lyric
poetry would be perhaps beyond human powers, by in his essays Lowry
Nelson finds it possible to take soundings--in great epochs of
inventiveness and of changing sensibility; in the extremes of
expressivity; in the reader's varying fictive role--while setting
in appropriate contexts works of such poets as Horace, the early
Troubadors, St. John of the Cross, Shakespeare, Wordsworth,
Leopardi, Baudelaire, and Vyacheslav Ivanov.
Each essay has a different scope and emphasis within the
apparently limitless range of possibilities. Nelson's arrangement
of the essays is chronological, though only roughly so; many issues
and examples could be explored in other contexts. Yet there is a
presiding view of literature that is commonly designated as
comparative, stressing some degree of universality; poets happily
transgress frontiers and barriers; one tradition absorbs others in
its own way, as in the poetics of Roman and medieval Latin, the
Provensals, Petrarch and Petrarchism, Symbolism, and Modernism.
Nelson observes only one restriction. He concentrates on lyric
poetry, although much that he examines can be applied to other
forms.
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