Musical identity raises complex, multifarious, and fascinating
questions. Discussions in this new study consider how individuals
construct their musical identities in relation to their experiences
of formal and informal music teaching and learning. Each chapter
features a different case study situated in a specific national or
local socio-musical context, spanning 20 regions across the world.
Subjects range from Ghanaian or Balinese villagers, festival-goers
in Lapland, and children in a South African township to North
American and British students, adults and children in a Cretan
brass band, and Gujerati barbers in the Indian diaspora.
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