The period following the Mexican Revolution was characterized by
unprecedented artistic experimentation. Seeking to express the
revolution's heterogeneous social and political aims, which were in
a continuous state of redefinition, architects, artists, writers,
and intellectuals created distinctive, sometimes idiosyncratic
theories and works.
Luis E. Carranza examines the interdependence of modern
architecture in Mexico and the pressing sociopolitical and
ideological issues of this period, as well as the interchanges
between post-revolutionary architects and the literary,
philosophical, and artistic avant-gardes. Organizing his book
around chronological case studies that show how architectural
theory and production reflected various understandings of the
revolution's significance, Carranza focuses on architecture and its
relationship to the philosophical and pedagogic requirements of the
muralist movement, the development of the avant-garde in Mexico and
its notions of the Mexican city, the use of pre-Hispanic
architectural forms to address indigenous peoples, the development
of a socially oriented architectural functionalism, and the
monumentalization of the revolution itself. In addition, the book
also covers important architects and artists who have been
marginally discussed within architectural and art
historiography.
Richly illustrated, Architecture as Revolution is one of the
first books in English to present a social and cultural history of
early twentieth-century Mexican architecture.
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