In The Conspiracy of Modern Art the Brazilian critic and
art-historian Luiz Renato Martins presents an engaging new account
of modern art from David to Abstract Expressionism. Equally
attentive to form and politics, Martins invites us to look again at
familiar pictures. In the process, modern art appears in a new
light. These essays, largely unknown to an English-speaking
audience, may be the most important contribution to the account of
modern painting since the important debates of the 1980s.
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