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Performing Copyright - Law, Theatre and Authorship (Paperback)
Loot Price: R1,759
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Performing Copyright - Law, Theatre and Authorship (Paperback)
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Based on empirical research, this innovative book explores issues
of performativity and authorship in the theatre world under
copyright law and addresses several inter-connected questions: who
is the author and first owner of a dramatic work? Who gets the
credit and the licensing rights? What rights do the performers of
the work have? Given the nature of theatre as a medium reliant on
the re-use of prior existing works, tropes, themes and plots, what
happens if an allegation of copyright infringement is made against
a playwright? Furthermore, who possesses moral rights over the
work? To evaluate these questions in the context of theatre, the
first part of the book examines the history of the dramatic work
both as text and as performative work. The second part explores the
notions of authorship and joint authorship under copyright law as
they apply to the actual process of creating plays, referring to
legal and theatrical literature, as well as empirical research. The
third part looks at the notion of copyright infringement in the
context of theatre, noting that cases of alleged theatrical
infringement reach the courts comparatively rarely in comparison
with music cases, and assessing the reasons for this with respect
to empirical research. The fourth part examines the way moral
rights of attribution and integrity work in the context of theatre.
The book concludes with a prescriptive comment on how law should
respond to the challenges provided by the theatrical context, and
how theatre should respond to law. Very original and innovative,
this book proposes a ground-breaking empirical approach to study
the implications of copyright law in society and makes a wonderful
case for the need to consider the reciprocal influence between law
and practice.
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