"Lutz Koepnick's "The Dark Mirror provides one of the finest, most
compelling and suggestive accounts to date of the multiple
locations of German cinema between Hitler and Hollywood. Charting
the shifting relationships between institutional contexts and
individual acts of reception, Koepnick persuasively shows how the
German cinema and its filmmakers--both in exile and in Nazi
Germany--contributed to a fragile, stratified, indeed,
"nonsynchronous" public sphere."--Patrice Petro, author of
"Aftershocks of the New: Feminism and Film History
"Lutz Koepnick's brilliant study debunks the received wisdom
concerning Nazi German and Hollywood film of the 1930s and 40s.
Using detailed analyses of 8 films, with special focus on sound and
music, he insists upon the disjointed contexts and uneven
relationships of American and German filmmaking. Historically
nuanced and theoretically savvy, this remarkable book offers
something for everyone: Americanists, Germanists, historians,
students of cinema sound and music, those interested in debates
between art and popular forms, and European and Hollywood
production."--Caryl Flinn, author of "Strains of Utopia
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Series: |
Weimar & Now: German Cultural Criticism, 32 |
Release date: |
October 2002 |
First published: |
October 2002 |
Authors: |
Lutz Koepnick
|
Dimensions: |
229 x 152 x 20mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
334 |
ISBN-13: |
978-0-520-23311-9 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-520-23311-5 |
Barcode: |
9780520233119 |
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