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The Sketch, the Tale, and the Beginnings of American Literature (Paperback)
Loot Price: R1,150
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The Sketch, the Tale, and the Beginnings of American Literature (Paperback)
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Total price: R1,160
Discovery Miles: 11 600
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Accounts of the rise of American literature often start in the
1850s with a cluster of "great American novels"-Hawthorne's The
Scarlet Letter, Melville's Moby-Dick and Stowe's Uncle Tom's Cabin.
But these great works did not spring fully formed from the heads of
their creators. All three relied on conventions of short fiction
built up during the "culture of beginnings," the three decades
following the War of 1812 when public figures glorified the
American past and called for a patriotic national literature.
Decentering the novel as the favored form of early
nineteenth-century national literature, Lydia Fash repositions the
sketch and the tale at the center of accounts of American literary
history, revealing how cultural forces shaped short fiction that
was subsequently mined for these celebrated midcentury novels and
for the first novel published by an African American. In the
shorter works of writers such as Washington Irving, Catharine
Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the
aesthetic of brevity enabled the beginning idea of a story to take
the outsized importance fitted to the culture of beginnings. Fash
argues that these short forms, with their ethnic exclusions and
narrative innovations, coached readers on how to think about the
United States' past and the nature of narrative time itself.
Combining history, print history, and literary criticism, this book
treats short fiction as a vital site for debate over what it meant
to be American, thereby offering a new account of the birth of a
self-consciously national literary tradition.
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