Starting from the historical link between criminality and sexual
deviancy, this text builds a complex theory in which the shadow of
the lesbian animates representations of violent women in
literature, plays, films and performance. Chapters detail this
theory in diverse areas, including: Frank Wedekind's "Lulu Plays";
"Thelma and Louise" and "Basic Instinct"; the performance art of
Karen Finley in the context of censorship debates; "The Split
Britches" performance, "Lesbians Who Kill", and "Fatal Women".
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