As a tradition modernism has fostered particularly polarised
impulses - though the great modernist poems offer impressive
models, modernist principles, epitomised in Ezra Pound's
exhortation to 'make it new', encourage poets to reject the methods
of their immediate predecessors. Re-making it New explores the
impact of this polarised tradition on contemporary American poets
by examining the careers of John Ashbery, Elizabeth Bishop, Robert
Creeley and James Merrill. To demonstrate how these four have
extended modernist attitudes to create a distinctive post-modern
art, each one's poetry is compared with that of a modernist who has
been an important influence: Ashbery is discussed in conjunction
with Wallace Stevens, Bishop with Marianne Moore, Creeley with
William Carlos Williams and Merrill with W. H. Auden. Lynn Keller's
book shows that contemporary poets have chosen not to reach for
order as their modernist predecessors did; instead, they attempt to
dissolve hierarchical distinction and polarising categories in a
modest spirit of accommodation and acceptance.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in American Literature and Culture |
Release date: |
April 2009 |
First published: |
November 2008 |
Authors: |
Lynn Keller
|
Dimensions: |
229 x 152 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
312 |
ISBN-13: |
978-0-521-10677-1 |
Categories: |
Books >
Language & Literature >
Literature: history & criticism >
Poetry & poets >
General
|
LSN: |
0-521-10677-X |
Barcode: |
9780521106771 |
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