No Joke is a detailed examination of Todd Phillips’s Joker, one
of the biggest global box-office hits of 2019. While his success
was no doubt partly because of the association of its title
character with the Batman superhero franchise, Joker is anything
but a flashy superhero romp. It does explore the pathologies of its
central character and suggest ways in which his life experiences
might have driven him to become a supervillain, the arch-enemy of
Batman. At the same time, the film leaves open the possibility that
its “Joker” is not, in fact, the same as the one conventionally
associated with Batman. In fact, the film leaves open many
interpretive possibilities, in keeping with the complex work of
postmodern art that it turns out to be. Joker also engages in
extensive dialogues with a range of works from modern American
culture, especially the films of the 1970s and 1980s, the period in
which the action of Joker is set. Moreover, Joker is a highly
political film that comments in important ways on American
political history from roughly the beginning of the presidency of
Richard Nixon through the end of the Trump presidency, with a
special focus on the Reagan years. It also comments in more general
and fundamental ways on the very nature of American society and
American capitalism. All this, and more, is covered in M. Keith
Booker’s analysis of one of the most talked-about films of recent
years.
General
Imprint: |
Liverpool University Press
|
Country of origin: |
United Kingdom |
Release date: |
June 2023 |
Authors: |
M. Keith Booker
|
Dimensions: |
234 x 154mm (L x W) |
Format: |
Hardcover
|
Pages: |
280 |
ISBN-13: |
978-1-80085-645-5 |
Categories: |
Books
|
LSN: |
1-80085-645-8 |
Barcode: |
9781800856455 |
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