This book offers an entryway into the cinematic, cultural, and
socio-political issues of its time, but remains a classic.
Koskinen, the first scholar given access to Bergman's private
papers during the last years of his life, draws a picture of
Bergman that challenges the traditional view of him as an auteur,
revealing his attempts to overcome his own image as the creator of
serious art films by making his work relevant to a new generation.
The volume addresses issues of censorship and the cinema of small
nations, while shedding new light on the shifting views of Bergman
and auteurist film, high art, and popular culture.
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