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Elevate the Masses - Alexander Gardner, Photography, and Democracy in Nineteenth-Century America (Hardcover)
Loot Price: R1,677
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Elevate the Masses - Alexander Gardner, Photography, and Democracy in Nineteenth-Century America (Hardcover)
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Alexander Gardner is best known for his innovative photographic
history of the Civil War. What is less known is the extent to which
he was involved in the international workers’ rights movement.
Tying Gardner’s photographic storytelling to his transatlantic
reform activities, this book expands our understanding of
Gardner’s career and the work of his studio in Washington, DC, by
situating his photographic production within the era’s discourse
on social and political reform. Drawing on previously unknown
primary sources and original close readings, Makeda Best reveals
how Gardner’s activism in Scotland and photography in the United
States shared an ideological foundation. She reads his Photographic
Sketch Book of the War as a politically motivated project, rooted
in Gardner’s Chartist and Owenite beliefs, and illuminates how
its treatment of slavery is primarily concerned with the harm that
the institution posed to the United States’ reputation as a model
democracy. Best shows how, in his portraiture, Gardner celebrated
Northern labor communities and elevated white immigrant workers,
despite the industrialization that degraded them. She concludes
with a discussion of Gardner’s promotion of an American national
infrastructure in which photographers and photography played an
integral role. Original and compelling, this reconsideration of
Gardner’s work expands the contribution of Civil War photography
beyond the immediate narrative of the war to comprehend its
relation to the vigorous international debates about democracy,
industrialization, and the rights of citizens. Scholars working at
the intersection of photography, cultural history, and social
reform in the nineteenth century on both sides of the Atlantic will
find Best’s work invaluable to their own research.
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