Rouget de Lisle's famous anthem, La marseillaise, admirably
reflects the confidence and enthusiasm of the early years of the
French Revolution. But the effects on music of the Revolution and
the events that followed it in France were more far-reaching than
that. Hymns, chansons and even articles of the Constitution set to
music in the form of vaudevilles all played their part in
disseminating Revolutionary ideas and principles; music education
was reorganized to compensate for the loss of courtly institutions
and the weakened maitrises of cathedrals and churches. Opera, in
particular, was profoundly affected, in both its organization and
its subject matter, by the events of 1789 and the succeeding
decade. The essays in this book, written by specialists in the
period, deal with all these aspects of music in Revolutionary
France, highlighting the composers and writers who played a major
role in the changes that took place there. They also identify some
of the traditions and genres that survived the Revolution, and look
at the effects on music of Napoleon's invasion of Italy.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
September 2008 |
First published: |
June 2008 |
Editors: |
Malcolm Boyd
|
Dimensions: |
170 x 245 x 24mm (L x W x T) |
Format: |
Book
|
Pages: |
344 |
ISBN-13: |
978-0-521-08187-0 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-521-08187-4 |
Barcode: |
9780521081870 |
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