Transnational artistic creation has become a matter of course in
our globalized world. But what did migrant art production look like
in the GDR? The volume highlights, among other things, the cultural
diplomacy of the GDR and its effects, employment relationships of
contract workers and taboo racism. Foreign artists from the
socialist brother countries such as Egypt, Ethiopia, Israel or
Uruguay studied at the art academies of the GDR. What became of
them and why they are not mentioned in retrospectives on GDR art?
Their works are now the center of attention. At the same time, the
history of immigration and the memory of reunification are told
from the perspective of East German migrants.
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