"A strong and timely book for the new day in hip-hop. Don't miss
it!"--Cornel West
For many African Americans of a certain demographic the sixties
and seventies were the golden age of political movements. The Civil
Rights movement segued into the Black Power movement which begat
the Black Arts movement. Fast forward to 1979 and the release of
Sugarhill Gang's "Rapper's Delight." With the onset of the Reagan
years, we begin to see the unraveling of many of the advances
fought for in the previous decades. Much of this occurred in the
absence of credible, long-term leadership in the black community.
Young blacks disillusioned with politics and feeling society no
longer cared or looked out for their concerns started rapping with
each other about their plight, becoming their own leaders on the
battlefield of culture and birthing Hip-Hop in the process. In
"Som""e""body Scr""e""am," Marcus Reeves explores hip-hop music and
its politics. Looking at ten artists that have impacted rap--from
Run-DMC (Black Pop in a B-Boy Stance) to Eminem (Vanilla Nice)--and
puts their music and celebrity in a larger socio-political context.
In doing so, he tells the story of hip hop's rise from New
York-based musical form to commercial music revolution to unifying
expression for a post-black power generation.
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