Often disguised in public discourse by terms like "gay,"
"homoerotic," "homosocial," or "queer," bisexuality is strangely
absent from queer studies and virtually untreated in film and media
criticism. Maria San Filippo aims to explore the central role
bisexuality plays in contemporary screen culture, establishing its
importance in representation, marketing, and spectatorship. By
examining a variety of media genres including art cinema,
sexploitation cinema and vampire films, "bromances," and series
television, San Filippo discovers "missed moments" where bisexual
readings of these texts reveal a more malleable notion of
subjectivity and eroticism. San Filippo's work moves beyond the
subject of heteronormativity and responds to "compulsory
monosexuality," where it's not necessarily a couple's gender that
is at issue, but rather that an individual chooses one or the
other. The B Word transcends dominant relational formation (gay,
straight, or otherwise) and brings a discursive voice to the field
of queer and film studies.
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