This volume features new research on Russia’s historic
relationship with Asia and the ways it was mediated and represented
in the fine, decorative and performing arts and architecture from
the mid-eighteenth century to the first two decades of Soviet rule.
It interrogates how Russia’s perception of its position on the
periphery of the west and its simultaneous self-consciousness as a
colonial power shaped its artistic, cultural and national identity
as a heterogenous, multi-ethnic empire. It also explores the extent
to which cultural practitioners participated in the discursive
matrices that advanced Russia’s colonial machinery on the one
hand and critiqued and challenged it on the other, especially in
territories that were themselves on the fault lines between the
east and the west. -- .
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