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Educated Fear and Educated Hope - Dystopia, Utopia and the Plasticity of Humanity (Paperback)
Loot Price: R1,578
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Educated Fear and Educated Hope - Dystopia, Utopia and the Plasticity of Humanity (Paperback)
Series: Educational Futures, 40
Expected to ship within 10 - 15 working days
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Beyond dominant tendencies to contrast utopia and ideology, the
book reconceptualizes utopia and approaches it along with the
notion of dystopia. The interplay of utopia and dystopia is
examined, some major anti-utopian arguments are refuted and a new
utopianism emerges, one that radicalizes critique and makes
engagement with present global realities more pressing. Educated
fear, i.e., a critical awareness of dystopian realities, and
educated hope, i.e., a critical awareness of the possibility of
human perfectibility cohabit a theoretical space that breaks with
utopianist modern theoretical underpinnings and becomes
historically and spatially more inclusive, while retaining the
motivational and justificatory force of ethical imagery. If
education is not just an institution of unreflective socialization,
if it is about futurity, it has to renegotiate utopian thought. As
the interest in utopia is being renewed both in general philosophy
and philosophy of education and as dystopia is still neglected, a
book that re-defines utopianism and explores for the first time the
role of dystopia in radicalizing educational demands for systemic
change is indispensable for Utopian Studies, Philosophy and
Philosophy of Education academics and students alike. The title of
the book is first transliterated into Utopia, a typeface in which
Brazilian artists Angela Detanico and Rafael Lain replace capital
letters with the iconic buildings of Brazils foremost modernist
architect, Oscar Niemeyer, whilst lower-case letters are equated
with urban interferences such as fences, skateboarders, CCTV
cameras, electricity cables, in short, all those elements that
escaped the utopian dream of the architect. To me, it bears
associations of the philosophical notion of counterfactuality and
of Adornos notion of mimesis. The title is then transliterated into
Helvetica Concentrated (a digital typeface that concentrates the
surface of Helvetica characters in dots which has been created by
Detanico and Lain in collaboration with Jiri Skala). The term
Helvetica bears the associations of a modernist utopia of success,
performativity, prosperity, predictability, rational planning and
uniformity.
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