Wilbur C. Sweatman (1882-1961) is one of the most important, yet
unheralded, African American musicians involved in the transition
of ragtime into jazz in the early twentieth century. In "That's Got
'Em ," Mark Berresford tracks this energetic pioneer over a
seven-decade career. His talent transformed every genre of black
music before the advent of rock and roll--"pickaninny" bands,
minstrelsy, circus sideshows, vaudeville (both black and white),
night clubs, and cabarets. Sweatman was the first African American
musician to be offered a long-term recording contract, and he
dazzled listeners with jazz clarinet solos before the Original
Dixieland Jazz Band's so-called "first jazz records."
Sweatman toured the vaudeville circuit for over twenty years and
presented African American music to white music lovers without
resorting to the hitherto obligatory "plantation" costumes and
blackface makeup. His bands were a fertile breeding ground of young
jazz talent, featuring such future stars as Duke Ellington, Coleman
Hawkins, and Jimmie Lunceford. Sweatman subsequently played
pioneering roles in radio and recording production. His high
profile and sterling reputation in both the black and white
entertainment communities made him a natural choice for
administering the estate of Scott Joplin and other notable black
performers and composers.
"That's Got 'Em " is the first full-length biography of this
pivotal figure in black popular culture, providing a compelling
account of his life and times.
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