Science fiction and socialism have always had a close relationship.
Many sf novelists and filmmakers are leftists. Others examine
explicit or implicit Marxist concerns. As a genre, sf is ideally
suited to critiquing the present through its explorations of the
social and political possibilities of the future. This is the first
collection to combine analyses of sf literature and films within a
broader overview of Marxist theory and critical perspectives on the
genre. Covering a rich variety of examples from Weimar cinema to
mainstream Hollywood films, and novelists from Jules Verne and H.G.
Wells to Kim Stanley Robinson, Ken MacLeod and Charles Stross, this
is an indespensible insight into how Marxism and science fiction go
hand-in-hand.
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