John Sayles is an inspiration to independent filmmakers in
America and beyond, both for his engaged political filmmaking and
as living proof that directors can survive and thrive without the
need for mainstream financing. His 1980s films were the
counter-punch to the special effects and blockbuster aesthetics of
the Star Wars and Spielberg era, and this volume closely follows
his career with analysis of all of his directed works. Through
discussion of films such as "Return of the Secaucus 7" (1980), "The
Brother from Another Planet" (1984), "Matewan" (1987) and "Sunshine
State" (2003), this study uncovers themes of racial and sexual
otherness, capitalist excess and the erosion of community in his
work. With new distribution channels now enabling independent
cinema to reach a wider audience than ever before, this timely
volume will be of interest to left-wing thinkers, guerrilla
filmmakers and all aficionados of independent film.
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