The American Stage and the Great Depression: A Cultural History of
the Grotesque proposes a correlation between the divided "mind" of
America during the depression and popular stage works of the era.
Theatre works such as Jack Kirkland's comic-horrific adaptation of
Tobacco Road, Olsen and Johnson's "scream-lined revue",
Hellzapoppin, and successful plays by Robert E. Sherwood, Clare
Boothe Luce, and S. N. Behrman are interpreted as theatrical
reflections of depression culture's sense of being trapped between
a discredited past and a nightmarish future. The author analyzes
the America of the 1930s as an era of the "grotesque", in which the
irreconcilable were forced into tense and dynamic coexistence, and
by examining these works of theatre as products of particular
historical circumstances, argues for a strong connection between
cultural history and theatre history.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in American Theatre and Drama |
Release date: |
February 2007 |
First published: |
1997 |
Authors: |
Mark Fearnow
|
Dimensions: |
228 x 152 x 14mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
228 |
Edition: |
Revised |
ISBN-13: |
978-0-521-03362-6 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
General
|
LSN: |
0-521-03362-4 |
Barcode: |
9780521033626 |
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