In this fascinating exploration of citizenship and the politics of
culture in contemporary France, Ingram examines two theatre troupes
in Provence: one based in a small town in the rural part of the
Vaucluse region, and the other an urban project in Marseille,
France's most culturally diverse city. Both troupes are committed
to explicitly civic goals in the tradition of citizens' theatre.
Focusing on the personal stories of the theatre artists in these
two troupes, and the continuities between their narratives, their
performances, and the national discourse directed by the Ministry
of Culture, Ingram examines the ways in which these artists
interpret universalistic ideals underlying both art and the
Republic in their theatrical work. In the process he charts the
evolution of new models for society and citizenship in a rapidly
changing France.
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