In "Settler Common Sense," Mark Rifkin explores how canonical
American writers take part in the legacy of displacing Native
Americans. Although the books he focuses on are not about Indians,
they serve as examples of what Rifkin calls "settler common sense,"
taking for granted the legal and political structure through which
Native peoples continue to be dispossessed.
In analyzing Nathaniel Hawthorne's "House of the Seven Gables,"
Rifkin shows how the novel draws on Lockean theory in support of
small-scale landholding and alternative practices of homemaking.
The book invokes white settlers in southern Maine as the basis for
its ethics of improvement, eliding the persistent presence of
Wabanaki peoples in their homeland. Rifkin suggests that Henry
David Thoreau's "Walden" critiques property ownership as a form of
perpetual debt. Thoreau's vision of autoerotic withdrawal into the
wilderness, though, depends on recasting spaces from which Native
peoples have been dispossessed as places of non-Native
regeneration. As against the turn to "nature," Herman Melville's
"Pierre" presents the city as a perversely pleasurable place to
escape from inequities of land ownership in the country. Rifkin
demonstrates how this account of urban possibility overlooks the
fact that the explosive growth of Manhattan in the nineteenth
century was possible only because of the extensive and progressive
displacement of Iroquois peoples upstate.
Rifkin reveals how these texts' queer imaginings rely on
treating settler notions of place and personhood as self-evident,
erasing the advancing expropriation and occupation of Native lands.
Further, he investigates the ways that contemporary queer ethics
and politics take such ongoing colonial dynamics as an unexamined
framework in developing ideas of freedom and justice.
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