Fifteen philosophers representuing different schools of thought
answer the question what is Woody Allen trying to say in his films?
And why should anyone care? Focusing on different works and varied
aspects of Allen's multifaceted output, these essays explore the
philosophical undertones of Anne Hall, Crimes and Misdemeanors,
Manhattan, A Midsummer Night's Sex Comedy and reminds us that just
because the universe is meaningless and life is pointless is no
reason to commit suicide.
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