Filmmaker David Lynch asserts that when he is directing, ninety
percent of the time he doesn't know what he is doing. To understand
Lynch's films, Martha Nochimson believes, requires a similar method
of being open to the subconscious, of resisting the logical
reductiveness of language. In this innovative book, she draws on
these strategies to offer close readings of Lynch's films, informed
by unprecedented, in-depth interviews with Lynch himself.
Nochimson begins with a look at Lynch's visual
influences--Jackson Pollock, Francis Bacon, and Edward Hopper--and
his links to Alfred Hitchcock and Orson Welles, then moves into the
heart of her study, in-depth analyses of Lynch's films and
television productions. These include Twin Peaks: Fire Walk with
Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man,
Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent,
Lost Highway.
Nochimson's interpretations explode previous misconceptions of
Lynch as a deviant filmmaker and misogynist. Instead, she shows how
he subverts traditional Hollywood gender roles to offer an
optimistic view that love and human connection are really
possible.
General
Imprint: |
University Of Texas Press
|
Country of origin: |
United States |
Release date: |
November 1997 |
First published: |
1997 |
Authors: |
Martha P. Nochimson
|
Dimensions: |
229 x 152 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
288 |
Edition: |
1st ed |
ISBN-13: |
978-0-292-75565-9 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-292-75565-1 |
Barcode: |
9780292755659 |
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