Includes the playscript of Glass House by Fatima Dike with a brief
introduction by Marcia Blumberg. Women have struggled to be heard
in the world of modern African theatre. Traditionally they had
secure roles as dancers, singers and storytellers, but as theatre
became professionalised and commercialised, control increasingly
laywith the literate elites. This volume is testimony to the scope
of their work as playwrights, musicians and actors from the
Algerian diaspora to the new South Africa. Guest edited by JANE
PLASTOW North America: Indiana U Press; South Africa: Wits U Press
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