Starting from an analysis of practices of participation in
contemporary print and other media, the volume opens up a
historical perspective, probing the potential of the concept of
participatory cultures for the exploration of past forms of
collaboration between individual and collective actors (i.e.
authors, editors, publishers, fans, critics etc.). In doing so, the
volume sheds new light on the historically, culturally, and
medially specific forms and functions as well as on the economic,
political and institutional parameters that contributed to the
emergence and transformation of what turn out to be precarious
alliances.
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