The German Left and Aesthetic Politics examines the articulation of
contending materialist aesthetic practices within the ideological
fractures of the German Left between the Second and Third
International. It is hinged on the major literary critical
contributions of Franz Mehring, representative of the Second, and
Karl Wittfogel and Georg Lukacs representing the Third. Both
parties focussed on the bourgeois revolutionary cultural heritage
and how it might provide examples for emulation. However, after the
1918 November Revolution, a politically radical avant-garde
challenged that tradition. Figures and institutions including the
Berlin Dadaists, Piscator's proletarian theatre, and Bertolt
Brecht, as well as dissident Marxist intellectuals like Karl Korsch
and Fritz Sternberg, asked other questions and proposed other
answers. Revisiting the contexts and contents of these exchanges
allows the reader to understand the serious role allocated to
cultural questions in constructing the "third pillar of socialism,"
its integrative dimension.
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